SHONA Congo


Showing posts with label Fair trade crafts. Show all posts
Showing posts with label Fair trade crafts. Show all posts

Friday, November 19, 2010

Where it goes

I believe in paradoxes. According to the Christian faith, "the first shall be last and the last shall be first". Of course, that is a promise for another world. But such reversals of fortune happen in our world as well. And there is beauty, and some kind of truth, in them.

The SHONA women were expected to be burdens on their families, at least financially. For poor families, in a war zone, a child who cannot walk, is going to be a struggle. She can't go to school, she can't carry water, she can't work on the farm, and she can't run from danger.

So it is an amazing accomplishment, when these young women go on to live independently and support their families. In fact, they have become the main breadwinners for their large families.

Suddenly they are the ones carrying the responsibility for their mother and father, brothers and sisters. It is a heavy responsibility, but they carry it with grace. I think that is the beauty of paradox. The person who has been carried herself, is in fact the most likely to carry others.

Instead of spending the money they earn on themselves, they buy medicine for countless family members, put children in school, and keep a roof over their heads.

Here are a few of the things SHONA women did, through your purchases, just this month.

*Riziki paid for a hernia operation for her younger brother. He was waiting until she got paid because there was no other money in the family to pay for it. Riziki also paid for medicine for her mom who is sick.

*Mapendo gave her mother money to rent a new parcel of land. The land that she was living on had been reclaimed by the government for road construction, and she literally had no where to go.

*Argentine paid the school fees for 4 of her younger siblings so that they could return to school. Argentine never went to school as a child.

*Riziki paid the school fees for 3 of her younger siblings so that they could return to school.

*Solange rented a small house by the road for her 2 younger siblings. Solange and her siblings are orphans, and the area they grew up in remains unsafe. Her younger siblings had been living in a refugee camp, and then had returned to their rural home to try and farm the land. However it is so unsafe in that area that the population farms during the day, and hides in the forest to sleep at night. Her siblings were literally sleeping in the forest. Solange rented a small house in a more secure area by the road so that her siblings would have somewhere to sleep.

*Argentine started saving money for a new set of metal leg braces for herself. The metal leg braces that all of the women wear have to be replaced every year and they are quite expensive for them. The women were previously able to obtain them for free, but now, because they are seen as successful women, they have to pay for them. Argentine started saving for her own leg braces...
but only after paying her siblings school fees.

Wednesday, November 10, 2010

Business in Congo

In all the furor over "conflict minerals" coming out of Congo there is a point that often gets missed. The point is why are "conflict minerals" practically the only thing coming out of Congo?

Okay, many raw materials, not just those listed as "conflict minerals" do come out of Congo. But the point is, they come out as raw materials. Where is Congo's industrial sector?

Obviously there are a variety of different answers to that question. But it is an important question to ask. Because as long as there are so very few viable industries in Congo, not just in terms of export but in terms of any production at all, people will be exploited. They will choose to mine in dangerous, unhealthy conditions because it is the only way to make a living. Young men will continue to become young men with guns, and young men with guns will continue to plunder the local population, because...well...everyone's gotta eat.

Congo Siasa has a great little post entitled "the agony of doing business in the Congo" citing Congo's current ranking as 175th in the Word Bank report of on how easy it is to start and operate a business around the world. In other words, it is easier to start a business in Iraq or Afghanistan than it is to start one in Congo.

I am not really the business type, and had I not lived in Congo, I might have skimmed over this whole report as something for MBAs. But, having seen the Congolese economy in action, I know that this report does reflect a huge problem for the average person in Congo. There just aren't enough legitimate businesses in Congo. Because it is soooooo dang hard to make it work.

Everyday that the SHONA women are able to sew, and ship their handiwork, I consider it a small miracle. Not because of the work they do, they are talented and committed and it doesn't take a miracle for them to produce beautiful work. Unfortunately it takes close to a miracle for them to be able to share that work with you. We have been fortunate only because we are very small, and we keep things very local.

Check it out for yourself. Google fair trade crafts from Congo and see what you come up with. When I tried it, links to SHONA were in the first nine spots. Now of course that is awesome and I would love to claim some talent at "Search Engine Optimization" which has placed us there. But the reality is there just aren't many other groups out there. Congo is a huge country, full of talented artisans...where is their work????

Thursday, September 2, 2010

New Store!!


After what seems like FOREVER...
We have a new online store, and we are super excited!

The SHONA ladies have been sewing up a storm and I've spent weeks staring at HTML, taking photos, counting our stock, and adding lots of new features to the store,

And we have two new shipments in, with bags, aprons, placemat sets, table runners, throw pillows, blouses, boubous and fabulous skirts. Check it out today!











Saturday, May 22, 2010

SHONA on the big screen

Ok, maybe just on You Tube.

But this is our debut on You Tube and we need your support.

The more you visit, and tell others to visit, the higher we will show up in searches.

Vote with your feet. Come visit us on You Tube

Saturday, March 27, 2010

One step closer





This is my dream. My dream is to bring you and Argentine together. I know your lives are a million miles apart. And she lives in a place that you can barely imagine.

But you and she have more in common than you may realize.

She sews beautiful bags that you have gone out of your way to buy. And the money you spend on those bags, is helping her to create real change in her own life and in those of others.

I can't wait until she can tell you about it herself.

Because in the end it is not about bags, no matter how beautiful they are, but about creating connections between people.

So check out our store today. We've got brand new stock, but more importantly we're bringing you and Argentine one step closer together...or maybe it is Mapendo you want to connect with. Or Roy or Solange or Riziki. The choice is yours.

Because now you can search our store by craftsperson, and check out the unique talent of each individual.

You'll see that each craftsperson has a unique story, and also a unique talent. Remember each person goes to the market, no small feat on crutches, chooses her own cloth, cuts it by hand, and sews it herself. Each bag she creates is an extension of herself, her beauty, her story.

So try it. First, pick a craftsperson, and go back and read about her life again. Then go to our store and click on her image. You'll see all of the work of her hands. I guarantee it will inspire you.

We're busy working on more ways to connect you directly with these amazing individuals. Pretty soon you'll be able to read a tweet from one of them, instead of from me. And leave one of them a message, instead of me.

Because, we shouldn't live in a world where the stories of the poor and the vulnerable are are always told by other people, no matter how well meaning we are. Doesn't everyone deserve a chance to tell her own story? And, for that matter, to sell her own bags?

This is just one step. But I am celebrating because it is a major step, and one which took a lot of preparation. You see, it is easier to just throw everything together and slap on a corporate logo. Just look at how everyone else does it.

But I am committed to putting in the extra work, so that our craftspeople truly sell their own work. Because a world in which Argentine can sell her own bags, and profit from them, is one where her voice matters. And a world where you can choose whose work to support with your purchase, is a world where your voice matters more. So take a minute, if you can, and check it out. Support our effort to bring us all one step closer together.


Saturday, February 6, 2010

On a cold day



January 29th was one of the coldest days in New York. It was the type of day that makes you want to curl up with a cup of hot chocolate and a good book.

It was most definitely not the type of day when you want to hang out in Central Park. Standing still. Looking pretty.

And yet that is precisely what this young woman was doing.
While wearing a SHONA bag, you see. This young woman is named Vanessa. And that is all I can tell you about her. Because, believe it or not, I have never met her, or even spoken to her. She has never been to Congo, nor meet any of the SHONA craftswomen. And yet there she is doing a favor for women thousands of miles a way. Just because she wanted to.


And the truth is that there is another incredibly generous soul behind that camera. And talented. Have you ever tried taking pictures of people in the freezing cold? And getting them to smile?

I've met this photographer once. He has a full-time job, as a social worker. He has a wife and children and runs his own photography business on the side. And obviously he is a talented artist. But for reasons somewhat inexplicable to me, he read an ad I put on craigslist, asking for volunteers. And threw himself into SHONA.

This was his first SHONA shoot. Since then he has done two more. So stay tuned for more beautiful pictures from Jose Figueroa soon.

In the meantime I wanted to give a shout-out to all our friends out there. Without people like Jose and Vanessa, and many others of you, SHONA would be nowhere.

Many thanks also to Paul Stetzer who continues to help me improve our everyday product photos, the ones I take on a headless, legless mannequin. Trust me, it is quite a task. And he, like Jose, is a talented artist who has donated his own time, his own equipment and his own endless enthusiasm to the project. Many thanks to you all.

Saturday, January 2, 2010

Africa is more than a drum beat...

Africa has become trendy. The NY times recently led their style section with an article entitled "Designing to an Afro beat". The article argued that African clothing, or perhaps "African-themed clothing", is on a rise.

They said "retailers like Barneys New York, mass marketers like American Apparel and (various) designers... embrace pan-African influences, responding, as if in concert, to some far away drumbeat."

The article also cites the costumes in Avatar.

Clearly Africa is moving up in the world.

But the article only considers a small portion of the ways in which Africa has become trendy in the fashion world.

Little did the author of that article realize, you don't even need the those leopard prints to sell Africa to the fashion world.

All you need is an African orphan, or child soldier, and you've got your next trend in the making.

Take, for example, this group. They are making whistles. Stylish ones, of course. For $30 you can buy a regular whistle, or upgrade and for only $10 more and you can buy the "gunmetal whistle". And for one hundred you can get the gold whistle (read the fine print. It is brass.)

Kind of pricey? Don't worry, you don't just get a whistle, you get a story, in the form of the Falling Whistles Journal. Apparently the young founder of this organization traveled to Congo briefly and heard a story about a child who was too small to carry a gun, so they sent him to the frontlines with a whistle...

A number of questions come to mind, and much has already been said about this on the very interesting blog Wronging Rights.

But Falling Whistles is just one of a growing number of companies/organizations selling African charity as fashion. The organization Common Threadz offers to donate a uniform to a needy orphan every time you buy one of their $38 t-shirts. They even have a line of t-shirts called the orphan line. Catchy title, I suppose. The "orphan line" shirts were actually designed by African orphans they tell me. Ok, "designed" might be a stetch. But they did have children draw the pictures.

Yes, it is slightly alarming to have t-shirt lines called the orphan line, but really where is the problem? All of these organizations donate money, or goods, or services, to Africa.

But can't we do one better?

Because, whether we believe it or not, Africa has actual clothing designers and jewlery makers. Where do you think these t-shirts and whistles are made? I'm willing to bet that it is not Africa.

Why do we seem to dream-up products here (and produce them, somewhere else) and sell them in Africa's name? Who are we doing the favor to? Africa probably has one of the highest populations of tailors and seamstresses in the world. They are talented. Given half a chance at fair import/export regulations and decent infrastructure, Africa's sewing industry would take the world by storm. Not to mention their craft industry.

So let's think twice about creating any more products to sell as African charity. Africans don't need our charity. They need us to open our markets to them. They need us to buy their products.

It is nice the way we have figured out how to market charity, and make it trendy. I believe there is a lot of good will behind it. But charity isn't always what people need.

Support the incredible talent of Africa. Visit our store and check out our new products!

Tuesday, November 10, 2009

Fast-food Giving (and a word on Kiva's behalf)


"I have my standards
And I am eating them for dinner."



That is a slogan I just read on a Whole Foods shopping bag. At least it went something like that. I didn't actually purchase the bag...or my standards...so I can't be quite sure. But you get the idea.

How thoughtful of Whole Foods, don't you think? They have made it so nice and convenient to have our standards. It we start running low, we can just drive across town and pick some up. But I am starting to wonder if they are being a bit too generous with their standards. I mean does everyone really qualify? If I go and buy a bag of apples at the store, then surely I have earned my standards bag. I mean who can deny that an organic apple has standards? But if I buy a carton of mint chocolate chip ice cream, maybe they should just give me a regular brown bag. Or maybe they could just put a smiley face on it...

In that same Whole Food store I noticed bags of food on display. Each bag had a hand-labeled tag displaying the contents and who had donated them. Presumably they were being shipped off to some needy cause. I enjoyed looking at the carefully selected cereal bars and Thai rice mixes that filled the bags. And as I swiped my debit card (oops.. I admit it...I did actually purchase something....it just was so small I apparently did not qualify me for a standards bag. Perhaps I should have demanded my standards?) But as I was saying...as I swiped my debit card, a picture of Rwanda flashed on the screen, offering yet another way that I could donate money to help feed hungry people...school children I think.

Now don't get me wrong. I have no problem with feeding school children, or donating to food pantries. I just am starting to wonder if it has all gotten a bit too easy.

In this age of convenience have we made our giving just another fast-food convenience? Have we become so consumer-oriented that we have begun to think of giving as a commodity? We want to give, but we want it to fit on our clocks, and in our check-out lines, and don't forget to make sure it is tax deductible.

The problem is that fast-food isn't very good for us. The reality is that the flashiest, easiest to reach, and quickest to consume snack is not usually the most healthy one. And "fast-food giving", probably has much the same problem. If you give a donation to something that looks flashy, is well placed and well advertised, it might be a good thing, but you had better count on a decent percentage of your donation going toward marketing and overhead. It takes money to create that convenient and compelling package.

But that isn't even my real concern. Perhaps we are perfectly happy to consider part of our donation as the cost of making it quick and easy and pretty.

But what happens when we think that we can address the problems of the world, by swiping a card or carrying a bag. Sure we swipe more cards and carry more bags, but do we also begin to believe that this is what social activism should look like?

Charity organizations rely on donations, and spend a significant amount of time and money figuring out the best way to attain them. They cater to our demands as "consumer-givers". We give to help, but we also give for the experience. And they know that. And they want to produce the best "giving experience" for us. The child sponsorship model grew into great popularity in the 90s because it met the consumer demand for personal connection. It provided people with the sense that they could connect to an individual child and make her life better. Likewise the organizations where you can give a goat, or a cow to a family in Africa have similar, personal appeal. But in both cases, the reality is more complicated. Money is not often miraculously delivered to individual families, and goats are not often delivered directly either. Rather donations become part of larger, more complex programs. Both child sponsorship organizations and animal giving organizations have had to go back and explain that the actual money you donate may not go to that individual child, or to buy that individual goat. Often your donation is used as part of a larger program, which may do very good things, but... well, it is not exactly what their slogan said.

The latest organization to struggle with this marketing problem is Kiva, who markets itself as providing direct, person to person connections between small lenders and small borrowers. It is a fascinating idea, but the reality is that your loan is actually processed through local microfinance institutions and does not necessarily go directly to the individual person whose photo you clicked on, as described in this NY Times article and in this blog post. Now this does not make your donation any less effective in the lives of individual people, in fact it means that your donation is being better monitored and better distributed. Ohhh...but we so love clickable photos.

And isn't that the problem? When we support easy, fast and flashy ways of giving, we encourage other organizations to package themselves in this way. We encourage them to simplify the problems for us, and make promises they may not be able to keep. Kiva is an excellent organization with a unique and valuable model. And if we read the information on Kiva's website, the lending process becomes clear, and if you know much about microfinance, the way Kiva is operating makes a lot of sense. In fact it makes a lot more sense than it would if Kiva worked exactly they way people imagined it did. The problems of people around the world are complex, and so must be our part in them.

I recently received a fund-raising appeal from another organization. As far as I know, they are a very good, solid organization that works to treat children with cleft pallets. The back or their envelope featured a big lettered promise that if you made a donation today, they would never ask you for anything again.

Is this really the way humanitarian aid should be packaged and sold? But this is what happens when aid organization find themselves marketing to a consumer market.

And so I worry about the convenience of our society. When I was living in Africa I hated waiting in restaurants. You would sit, and sit and sit. Then they would bring you a soda. And then you would sit and sit and sit. And then they would bring you a platter with a salt and pepper shaker on it. And then you would sit and sit. And about two hours later your meal would come. This never appeared to bother Africans in the least. I guess they were there for the experience. I, on the other hand, was there to eat. And was usually doubled over in hunger by the time the food came.

Since I have been back in the US I have not waited for one meal. I mean I have not once gotten to the point of looking at my watch and wondering where the food is. Sometimes I try and imagine what the trendy New York people sitting at the table next to me would do if their food didn't come for two hours. That always makes me smile.

But has fast and easy food really been so good for us? In his book "Africa Doesn't Matter: How the West Has Failed the Poorest Continent and What We Can Do About It" Giles Bolton
argues that there is a difference between the type of aid that we like to fund, and the type of aid that is most effective. Child sponsorship, and animal giving exist because we, as consumers like them, not because they are the most effective or efficient way of delivering aid. Bolton argues that real change must come from direct budgetary support to poor countries, but you see that got jumbled up in my mouth as I said it. It is hard to make that flashy and compelling, and it isn't readily available in the check-out lane.

How does SHONA fit in this? Did I really just say that we shouldn't think that purchasing a bag will address the problems of the world? I didn't mean a SHONA bag of course!!! I can just see the SHONA craftspeople jumping up and down and gesturing wildly for me to stop my rambling before I scare away our customers. Please don't go away. We desperately need your purchases and they make a very real difference in the lives of 5 incredible people in one of the most difficult regions of the world. And unlike some larger organizations, with us the direct connection is completely real. An individual craftsperson did sew each item and they are receiving 100% of the profit. But stay tuned for my next post, on how these issues do affect SHONA, and in the meantime, I would love to hear your thoughts on the topic.